Most Popular
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Solar Eclipse
Early-rising photographer becomes "cruising for cock" suspect
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The Muscle Men
Inside the "Rejuvenation Centers" at the heart of the nation's largest illegal steroid and HGH operation
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Priestin' Ain't Easy
For a couple of Delray padres, the high life allegedly got in the way of their priestly duties
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They'll Take Your Houses
South Florida's real estate forecast calls for pain
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Cheat Sheet to Langerado
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Man-Child in the Promised Land (12)
Pop star Sean Kingston hopes the party's just begun
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The Talk of the Green Iguana (5)
Will American voters elect the first gay vice president in November?
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Solar Eclipse (3)
Early-rising photographer becomes "cruising for cock" suspect
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Shooting the Moon (2)
Aim high or aim low, you're bound to hit something, even if it's the sleep button
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Wide-Open Spaces (2)
Sean Penn delivers a soulful road movie that doesn't go all hippie-dippy
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Cheat Sheet to Langerado
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Licensed to Chill
How the Beasties went from hip-hop pranksters to musical renaissance men
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Impact Beyond the Stage
R&B singer KEM has spent the past year recording a promising new album but finding even greater joy offstage
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Langerado Turns 6
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One Tough Mother
Age may have mellowed her, but Ani DiFranco remains a righteous babe
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Ratings Or The Road
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Morning Kibble
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Newspaper Story Sends Juror Home
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Beat Masters Klever and A-Trak Kill It At Suite/Snatch
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Last Night: Bass Sessions at Nocturnal
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Check Walshy Fire and David Rodigan on Mixx 96 For the Freshest Dubplates
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The Elegant Aging of Richard Thompson
Continued from page 2
Published: September 9, 1999At the same time, the man says he could not have made Mock Tudor 10 or 15 years ago. He began the album -- produced this time around by Beck and Elliott Smith cohorts Rob Schnapf and Tom Rothrock -- only after he collected enough songs to make his conceptual album a reality. Mock Tudor, he explains, could not have been made by a young man. A young man doesn't have the perspective, he offers. And he's just too scared to look beyond his own reflection.
"As you get older, I think, it becomes more of a compulsion to be honest," Thompson says. "I think when you're younger, there's more bullshit in the way. You're more self-deluded about your life -- your hopes, your ambitions. When you get older, it becomes painfully clearer, and there are places to hide. You are more aware of when you are writing a lie, and there's a strong sense of duty: 'You must tell the truth.' That's the only way you will move the audience -- to tell the truth. And if you do it right, the audience will get it. If you're obfuscating, the audience will only be confused.
"And you're less fearful of being ridiculed. I play what I want regardless of what you say. You feel, 'Who cares?' I mean, if you're getting up on a stage and making a fool of yourself anyway, you might as well mean it. For me the best part of all of this -- writing, performing -- is still the communication. I get off on the communication. That means you have to perform the song and someone has to receive it, heart to heart."








